- Interpol - PDA :: guitars from heaven, rhythm from the thunderclouds, motorik revelation [editor's note: aaaalmost a haiku, totally unintentional]
- The Arcade Fire - Rebellion (Lies) :: it's all momentum, carrying you up. "scare your son/scare your daughter"
- Andrew Bird - Imitosis :: the truth, salsa style
- Sufjan Stevens - Chicago :: a hook that swells swells and until it's too big, and evaporates, leaving only its warm ether behind
- Wolf Parade - Dear Sons and Daughters of Hungry Ghosts :: new genre: sad robot indie-rock, "god doesn't always have the best goddamn plans does he?"
- Franz Ferdinand - Take Me Out :: 00:57
- Women - Shaking Hand :: an exhaltation of the tumble, the chime, the shimmer, and the mumble
- Gorillaz - New Genius (Brother) :: old soul LP from another planet/cautionary tale from beyond the grave
- Clap Your Hands Say Yeah - The Skin of my Yellow Country Teeth :: = 6 hooks/minute + atonal/astonishing vocals
- Karl Blau - Spin Around :: menacing forrest-jazz freakout
- Radiohead - There, There (The Boney King of Nowhere.) :: just watch the video
- The Strokes - Take It or Leave It :: two notes make this the best garage rock song of the decade
- Spoon - The Way We Get By :: statement of intent, hint of things to come, made piano vamp cool again
- Radiohead - Dollars & Cents :: like the capital relation it maligns, it envelopes everything around you with a menacing/appealing sheen
- Beck - Gamma Ray :: impossible to not make that "i'm swimming" dance to
- Air - Playground Love :: impossible to separate from the film, so just watch the trailer
- TV on the Radio - The Wrong Way :: new genre #2: indignant robot soul
- The Walkmen - The Rat :: one of only a few songs in history to make a hook out of a fill
- Hot Chip - Over and Over :: []sexy []unsexy dance-party (check one)
- St. Vincent - Marrow :: sexy factory music
- The Rakes - Auslandmission :: cinematic punk rock from a post-Berlin-wall Europe
- Deerhunter - Never Stops :: shimmering jangle-kraut-pop, cryptic/instantly classic chorus
- Voxtrot - Mothers, Sisters, Daughters and Wives :: 3 pop-songs in one, sung by you (yourself) in 9th grade
- LCD Soundsystem - Losing My Edge :: an indictment/ode to my generation of music consumers and a crash course in music that, once you put aside the the snark, you really should listen to...
- Tokyo Police Club - Citizens of Tomorrow :: hand-clap sci-fi
- Why? - A Sky for Shoeing Horses Under :: vibraphone at the end of the world, "looks like a good sky to die under"
- Sunset Rubdown - Stadiums and Shrines II :: from the first pounding note the finest performance of Spencer Krug's astounding catalog
- Vivian Girls - I Believe in Nothing :: best listened to whilst speeding freezing rainy northern-California highways
- The White Stripes - Dead Leaves and the Dirty Ground :: Jack White displays some atypical lyricism over an honestly subtle beat from Meg
- LCD Soundsystem - Tribulations :: "everybody makes mistakes / but it seems it's mine that always keep on stingin,'" guitar solos in dance music are always a good idea
- Times New Viking - Teenage Lust! :: golden-age-GBV-calibre lo-fi with a healthy injection of wistful Casio nostalgia and aching angst
- Innaway - Threat Hawk :: sun-blasted desert-rock with a keen ear for melody
- Blur - Caravan :: the best music sounds like the last transmission from a lost, sinking submarine
- Chemical Brothers - The Boxer :: stuttering synths and an anthemic chorus elevate this to more than another club stomper
- Beirut - Nantes :: a sepia-toned postcard of a song with brass lines that shimmer like childhood summers
- Okkervil River - For Real :: the song that most successfully apes "Creep's" drop-the-guitar moment this decade, primal screams from a pasty-faced paisley crooner
- Doves - Black and White Town :: impossibly defeated, undeniably uplifting
- Phantom Planet - Big Brat :: a distorted blast of brilliant pop-punk from those dudes who did the OC theme
- Autolux - Sugarless :: soon to be included on Music for Plane Crashes, Vol. 1
- Animal Collective - Leaf House :: remember when Animal Collective played real instruments? Me too... : (
- Hot Chip - The Beach Party :: Yacht-party electro-pop for smoky seasides
- The Hives - Hate to Say I Told You So :: beat the Strokes to the garage-rock punch in 2000, unfortunately ahead-of-their-time by about a year
- Bowerbirds - La Denigracion :: lilting accordion-driven Parisian troubadour pop
- AC Newman - Miracle Drug :: all hook, no fat, "thank you for your interest young man"
- Born Ruffians - This Sentence Will Ruin/Save Your Life :: a yelpy energetic distillation of late-teen angst
- Gorillaz - Clint Eastwood :: a masterpiece of horror-hop, you weren't alive in 2001 if you don't know Del's righteous rhymes by heart
- Dog Day - Sleeping on Couches :: glowing throbs of distorted jangle-pop guitar with the sad knowledge that every summer is hotter than the one before it
- Weird War - AK-47 :: hip terrorists
- Figurines - The Wonder :: just plain catchy, reminds me why bass is important
- Jimmy Eat World - Pain :: biggest modern-rock radio guilty pleasure
- Phoenix - 1901 :: vocal acrobatics, disco beats, meaty synths, pop for the new millennium
Showing posts with label 51. Show all posts
Showing posts with label 51. Show all posts
22 August, 2009
I'm Into CB's 51 Best Tunes of the Aughts
Labels:
51,
best of the decade,
list
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